Growing up in Munich in the 1980s meant to be surrounded by graphic design from the Ulm School of Design: the corporate branding of Lufthansa, Braun and others, but most prominently the iconic work surrounding any remnants of the 1972 Olympics. An exhibition at Berlin’s Bröhan Museum marks Otl Aicher’s 100th birthday, and I took the opportunity to immerse myself in some 70s design for an hour.
I'm Sebastian, Sociologist and Interaction Designer.
This journal is mostly about bringing together social science and design for inclusive, privacy-focused, and sustainable "human-first" digital strategies.
I also tend to a "digital garden" with carefully curated resources.